Its parent project, FramedByAI, is proudly billed as “Boston’s First AI Art Gallery.” The result, after months of planning and collaboration with BU Arts Initiative and (the University-wide initiative that provides opportunities for student innovation) is the AI Reimagined Collection, 10 AI-generated artworks that bring museum classics into the modern age. “When John said, ‘Let’s host this event together,’ I was like, ‘Great idea,’” she recalls. He posed the idea of an AI-infused art gallery to Lin, who is also minoring in innovation and entrepreneurship. Shiller, who goes by the handle Shill, uses his account to talk about how artificial intelligence, or AI, can be leveraged in different creative fields. “This idea actually came from my partner, John Shiller, who is also a YouTuber,” Lin says. That’s because these renditions-and others based on paintings by Vincent van Gogh, Sandro Botticelli, Edvard Munch, and Georges Seurat-are made using artificial intelligence. While many traditional artists might balk at the idea of reinterpreting masterworks like Leonardo da Vinci’s Mona Lisa, Grant Wood’s American Gothic, and Johannes Vermeer’s Girl with a Pearl Earring, Lin was able to execute the concept without painting a single stroke. “I like that one because it looks like a Vogue cover photo to me,” says public relations major Emily Lin (COM’23), who cocurated and contributed art to the collection, on display at the Arts Initiative offices on the George Sherman Union second floor. A woman glancing sideways at the viewer, a pearl in her ear and a shock of ultra-blue eyeshadow on her lids. A rural-looking couple staring grimly ahead, the man wearing sunglasses and holding a polished hunting rifle. There’s a portrait of an eyebrowless woman with a mysterious half smile, embellished by abstract swashes of color. Contact him at Follow on Twitter, on Instagram.The artworks currently on display at the BU Arts Initiative might cause you to do a double take. His “PodKats!” podcast can be found at /podcasts. John Katsilometes’ column runs daily in the A section. A total of 15 singers and eight visual artists were put back to work. The performers returned in March 2021, after a 13-month, pandemic-forced pause. The program, and the singing gondoliers, opened with the hotel in 1999. Performers have sung opera favorites while strolling through the promenade, originally joined by stilt-walkers, acrobats and human statues. “Streetmosphere” is a rotation Renaissance-themed, operatic performances. A veteran entertainment and events professional and Las Vegas native, Henderson also operates Notoriety Live at Neonopolis and books all the shows in its three venues. Henderson said the song will come back, the timeline to be determined. Henderson said Saturday, “It’s just a pause,” and, “the mall management and Best Agency certainly would not want to offend anyone.” The hotel contracts its Streetmosphere program with Ken Henderson’s Best Agency. The version at Grand Canal Shoppes has been sung live, in Italian. Her recording is still on the song list at Fountains at Bellagio. Word of this decision came down Friday, after visitor to the promenade complained of the song’s relationship with “Titanic” the movie, and, as such, the Titanic disaster and also the OceanGate Titan submersible tragedy this week.Ĭeline Dion’s version of the song won an Oscar in 1999, and she performed it throughout both of her residencies at Caesars Palace. Mark’s Square at The Venetian’s Grand Canal Shoppes. The Academy Award-winning song from “Titanic” has been shelved, at least temporarily, in the Streetmosphere performances at St. “My Heart Will Go On,” except when it doesn’t. "Streetmosphere" performers at the Grand Canal Shoppes.
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